In the meantime, you can use host automation or set up alternative CC control in the matrix. We cobbled together something like this in Ableton Live using Groups, and while it worked and sounded passable, we have to admit that it wasn’t half as quick and easy as Metrum and the results weren’t as good. Described as emphasising frequencies in the “stomach region”, the Punch knob lives up to its name, adding – or removing – ‘oomph’ around the Hz region. The timing is rock solid, too – as tight as placing samples on an audio track, at least in our test DAWs Live and Cubase. There are ten slots, and you can disable each with a power switch. No undo and minor bugs in v1. Vengeance-Sound branched out into plug-ins last year with the first in its Vengeance Producer Suite series, Multiband Sidechain.
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The vengeance metrum is tempo sync’ed so that it’s always heard on the offbeat, and it resets when a new note is played, so the reverb never obfuscates the kick itself – also neat! Their functions are assignable, so it varies from preset to preset. The sample slots also have pitch and amp envelopes, but their basic controls are different: To sum up, although it’s arguably not a vital purchase, the degree of effort and expertise that’s gone into making Metrum has clearly paid off.
Described as emphasising frequencies in the “stomach region”, the Punch knob lives up to its name, adding – or removing – ‘oomph’ vengeance metrum the Hz region. There’s also a dedicated modulation envelope that can be used as a source, and the amplitude envelope of any meyrum may also function as such.
At vengesnce global level, there’s a master amplitude envelope applied to all layers, and a modulation envelope.
All presets respond to the mod wheel, and there are three GUI Modifier macro knobs that provide additional sound-shaping options – eg, to dial in extra reverb, reduce the sample rate, fade in a ride cymbal sample, etc. You’ll also have to resist the urge to continually tinker with your vengeance metrum Genuinely useful, fun randomise options.
Vengeance metrum delivers the goods for any form of electronic music, be it house all flavourshardcore, RnB, hip-hop, DnB, hardstyle, etc.
Vengeance-Sound Metrum review | MusicRadar
There are ten slots, and you can disable each with a power switch. Our Verdict It’s a specialist tool and not for everyone, but Metrum’s convenience and quality of sound will delight those who take to it.
Naturally, then, there’s a pitch envelope, and this is the beating, booming mehrum of Metrum, where vengeance metrum determine whether your kick is a lazy, esque affair; a ballsy alike; a minimal click-meets-sub; a taut, vengeance metrum DnB jab; etc.
Vengeance-Sound branched out into plug-ins last year with the first in its Vengeance Producer Suite series, Multiband Sidechain.
Take vengeance metrum listen to some Metrum presets. Let’s look first at the synth oscillator. Pros Pro-quality, floor-shaking kicks! The only effect we’re missing is one to narrow the stereo field, rather than just ‘mono-ise’ sounds. Easy to use but potentially quite deep.
No undo and minor bugs in v1. The main tone of a kick drum typically starts out high then drops low very quickly. No progressive stereo narrowing effect. More options are found in the MIDI and System pages; for example, you can determine which layers respond to MIDI note great for pitched jumpstyle kicks and length, disable the master limiter, and decide what’s vengeance metrum by the excellent randomiser.
We particularly enjoyed binding the mod envelope to effects parameters eg, bitcrusher frequency and those of the oscillator, such as Drive and Shape, to add a touch of growl in the decay of the kick, mehrum to sharpen the vengeancr. We’d vengeance metrum an option to show an analyser instead of the somewhat redundant virtual keyboard.
We cobbled together something like this in Ableton Live using Groups, and while it worked and sounded passable, we have to admit that it wasn’t half as quick and easy as Vengeance metrum and the results weren’t as good. The Shape knob takes the oscillator from a sine wave up to a near-triangle shape, while Drive applies distortion and Spike accentuates attack.
As for destinations, you’re spoilt for choice – vengeance metrum much any parameter of the synth can be modulated, including layer settings, effects parameters, the GUI Modifier knobs, the strength of the other modulation slots, and even MIDI keytracking and the root key. It has a spectrum analyser venfeance, but it’s only visible in the Effects page, so you can’t see it when you really need ketrum, such as while using the pitch envelope.
Impressively, the small waveform graphics and those in the envelope screens continually update to reflect your tweaks. Metrum’s smart Librarian is vengeance metrum itself: The timing is rock solid, too – as tight as placing samples on an audio track, at least in our test DAWs Live and Cubase.
There are genre-categorised presets, and they’re just as mterum and production-ready as those in Vengeance-Sound’s sample libraries. Accidentally hit the Randomize!